Ivan Veera Mathiri review by NowRunning!

Usually, the rise of a common man against evil always results in violence and the immediate formation of an overnight leader. But our common man, played by Vikram Prabhu, is well read, comes from a decent middle class family, is currently job hunting and prefers to use brains over brawn when he has to handle a situation.

This common man is aware of the repercussions he might have to face for his actions and therefore always operates alone and in disguise. This is the story of an intelligent common man, someone you seldom see in society but are aware of his existence.

Ivan Veramathiri Pictures   27 Pictures

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A barbaric act in a law college provoked by a local minister makes headlines which catch the attention of our hero, Guna, who at first hardly pays any attention and instead laughs at the comments posted on the video from the incident on his friend's Facebook wall.

Guna is constantly reminded of the incident over the next few days, forcing him to do the unthinkable, and results in the inevitable. He kidnaps the local minister's brother, Eeswaran, who has come out on parole and instigates the opposition party to accuse the minister of hiding his own brother. Following the disappearance of his brother, the minister is forced to resign and is arrested.

Having succeeded in putting the minister behind bars, Guna lets go of Eeswaran who sets out to seek revenge.

We have seen several stories of the common man turning into a hero and a leader in Tamil cinema, but this film, although confining itself to commercialism, tries something different. "Ivan Vera Mathiri" literally translates into "He is Different", and the film indeed is different. Sadly however, not to a great degree. As initially pointed out, it's intelligent but also has instances that make it look dumb.

The entire episode of Guna taking Eeswaran captive is intelligently executed, is engaging and makes you almost empathise with the latter's predicament. It's another story of good versus evil that's spared the cliched treatment but somewhere towards the end it gets sabotaged by a disturbing climax, especially scenes featuring Surabhi being kicked in the face and gut.

I wish the climax wasn't handled so recklessly.

Director Sarvanan uses some key characters aptly to push our protagonist to rise to the occasion following the incident in the opening scene. But what I fail to understand is how can just another average common man turn out to be a good fighter who could pull off some extremely dangerous stunt sequences with ease.

Here, the film's stunt choreographer Raja Sekhar deserves a special mention. The stunt atop an incomplete building definitely stands out and some road chasesequences also draw equal attention. The fights draw more attention than the music and acting put together while the cinematography at some junctures is good.

I don't know if Vikram Prabhu was forced to use the same expression from start to finish but his acting didn't quite convince. It's alright if it was done deliberately but if not, then I suggest he start working on his expressions because he hardly displays any variations in his performance. Vamsi Krishna as the baddie is aggressive and acts well while debutant Surabhi can be impressive with some guidance.

Ganesh's cameo is powerful but he has more talking than action in the role of a cop. I still don't understand why cops always have to yap about being good citizens? It's so cliched and yet our filmmakers fancy that idea.

"Ivan Vera Mathiri" is a fairly different tale of a common man.

Rating:***
http://www.nowrunning.com/movie/12699/tamil/ivan-veramathiri/4499/review.htm

Ivan Veera Mathiri Review From Times Of India!

Synopsis: Gunasekaran, a socially responsible youth, kidnaps Easwaran, the brother of Sadasivam, the law minister, after the latter orchestrates violence among students. Sadasivam loses his post and Guna releases his captive but Easwaran wants revenge...

Movie Review: You have kidnapped the brother of a minister. He is also a ruthless gangster but you have managed to keep your identity (read face) a mystery from him. You have reached the place where you are hiding him, and right at that moment, you get a call from your girlfriend. You attend the call rather than ignoring it (or even texting a 'will call bk ltr') and go on to discuss banking details, saying out loud her account number, despite the chance that your quarry could hear it and use it to discover who you are. If such a circumstance feels logical and plausible enough for you, then, Ivan Vera Maathiri is right up your street. Else, steer clear!
The film opens with visuals of violence unleashed on some students in a law college (with policemen remaining mute spectators), a not-so-subtle reference to the incidents that occurred in a Chennai law college in 2008. Gunasekaran (Vikram Prabhu), a 26-year-old advertising professional, is affected by the news, and decides to take on Sadasivam, the law minister, who orchestrated the assault. To do that, he kidnaps his brother and hit man Easwaran ( Vamsi Krishna), whom the minister has unlawfully brought out of jail in parole. Guna's idea is to hold the man hostage until his parole lapses, humiliate the minister in public and make him resign his post, and take away the power that made him a fearsome individual. Guna also meets Malini ( Surabhi), an airy-fairy college student, who falls in love with him.

Meanwhile, Sadasivam resigns and becomes the target of a police investigation, and a contented Guna releases Easwaran. Now, the prey becomes the hunter, searching for his captor, despite being pursued by the hard-nosed cop Aravindan ( Ganesh Venkatraman).

If the screenplay was the strength of Saravanan's debut Enageyum Eppothum, here, it becomes a weakness as the director's attempts to make a "different" vigilante film get lost in implausibility, patronizing (a line about girls who do not receive calls or SMSes being "good girls" is downright condescending) and sub-par acting. He has the outline of a terrific action movie plot; generally, it is the hero who is at the receiving end in the first half and goes after his tormentor in the latter portions after piecing together his identity but here, it is the opposite. However, the scenes aren't particularly interesting beyond a strictly functional level. Guna isn't directly affected by the violence in the college and so, his decision to turn a vigilante should have been compelling. But what we get are a couple of scenes where he is aroused by stray remarks. And, while his plan to hide Easwaran seems well thought out, the manner in which he goes about smacks of carelessness. He reveals his real intention to his captive, gives him a blatant clue to his identity, and worse, when the minister is arrested, lets Easwaran loose on the streets rather than ensuring that he gets into police custody. And, in the end, Aravindan is conveniently shown as someone who believes vigilantism to be good.

But the weakest section is the romantic track — Malini is certainly the latest in the ignominious list of daft heroines in Tamil cinema. She allows Guna, a stranger to her at this point, to use her house loo, and later carries a fish all over the city after he leaves it with her. Saravanan wants these scenes to be funny but they only trivialize Malini's character. And to add to her insult, we are repeatedly told, she has 18 arrears! Even after Malini and Guna fall in love, we never sense their chemistry. That Vikram Prabhu is far more convincing as an action hero than in the romantic scenes also doesn't help.

Rating:***
http://timesofindia.indiatimes.com/entertainment/movie-reviews/ivan-vera-maathiri/movie-review/27310587.cms