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Showing posts with label Fahadh Fasil. Show all posts
Showing posts with label Fahadh Fasil. Show all posts

Wednesday, May 7, 2014

One By Two Review from Now Running!

Hari Narayan and Ravi Narayan are twins they grew up inseparable all the time, theirs families were attempting to break the dependence on each other and wanted to grow of their own and have develop a self life. Hari becomes a reputed cardiac surgeon, while Ravi turns out to a Skilled Architect. This changes when the doctor's car crash with a truck in Highway, which eventually makes Ravi into a delirium and psychosis.

I wouldn't really blame the viewer for feeling stranded while watching Arun Kumar Aravind's '1 by Two'. What starts off as a psychological thriller with immense potential winds itself up in loops and loops of complexities until it becomes almost impossible to untangle itself from the knots that threaten to strangle the very last bit of thrill out of it.

This makes Ravi very distressed and lonely like, after the rest of the world around him are his parents and Dr. Prema (Honey Rose Varghese), a consultant surgeon at the hospital where Hari has been working, and whom he had been in love with. When Yusuf Marikar (Fahadh Fazil), an officer at the Crime Branch runs into an injured Ravi, his suspicions are roused, and he starts digging into the case with an obsessive vigor.

It takes a real long while for things to get into motion in the film, and even as the interval comes up, you realize that the plot has hardly proceeded much beyond the starting point. But it does manage to retain your interest now and then, courtesy the air of mystery that prevails all around.

For one, the suspense is revealed way beforehand, and the film tugs along for several more minutes before it draws to a close. It's a downslide all right in the second half, with the climax especially suffering daunting slope.

The narrations lets you down tremendously in '1 by Two', and while an attempt has been made to keep the story intact, it works only in parts since 1/2 is 1 in this movie. This is because the plot suffers from an taunting Disorder itself, just as the police officer in the film does, and it remains a bit too much preoccupied with its protagonist and little less everywhere.

All said and done, I would gladly watch '1 by Two' again for an unparalleled performance by Murali Gopy and team. This kind that I haven't had the opportunity to watch in Malayalam cinema in recent years. It is flawlessness that he brings into the portrayal of a man torn apart by the toes of a psychological disorder is to be seen to be believed.

I really do not think it would be unfair to focus on this one particular actor in this review, since he is the sole reason why '1 by Two' should be worth a watch. There are ample instances of his exemplary talent in the film, and yet there is a scene when he assures an ailing patient, that he would be back soon, and everything will be all right. For me, the compassion that ebbs straight out of his eyes as he utters those words, is what makes him one of the best actors we have at the moment, and without doubt for the rest of them, this is a tough act to follow in the coming year.

Honey Rose Varghese looks dazzling, and as the doctor who doesn't realize what she is actually a part of, is excellent. Fahadd Fazil is perhaps the odd one out in the circle, not because his performance any less, but on account of the way in which his character has been conceived, almost as a caricature made of mock strokes. Jomon's cinematography is top-notch, and contributes hugely to the sense of obscurity that is purposefully preserved.

The biggest letdown with regard to '1 by Two' is how unsurprising everything comes to ultimately, and the tired climax drives in the final spike in the casket. It's too jaded to be entertaining and a bit too static to cook up some excitement.


Rating:**

 Now Running Review

Friday, January 10, 2014

Oru Indian Pranaya Kadha Review from NowRunning!

Sathyan Anthikad's 'Oru Indian Pranayakatha' draws a heart all around the title cards , heavily emphasizing that the stage has been set for a love tale. And if that isn't enough, the ultimate romance symbol is laid out in green and orange, literally shouting 'India' from the rooftops. And it's in a small town in mid-Kerala that we find the film's protagonist Aymanam Sidharthan (Fahadh Fazil) in; a local leader of the RDF party, waiting to contest the elections. However, his hopes are dashed when the High Command opts for a more influential candidate. Almost giving up on his political aspirations, Sidharthan takes up a job as an assistant to a young woman named Irene (Amala Paul) who has just arrived from Canada, to make a film on orphanages. 

Now here is the conclusion. Its bad news when you have a heroine who's back in the country after a long while, searching for roots. If she's a documentarian with profound social concerns, it's likely to get worse. And if you have a jobless hero roaming around, trying to make a general impression on her, the devastation is complete. What's disheartening is that this isn't much of a love tale at all. You see, when the roots that I had mentioned earlier grab all the limelight, there isn't much of a scope for anything else. Hence we see the two individuals who are supposed to fall in love run from pillar to post, on a quest to find out Irene's parents, and by the time they do, it's time to end the tale.

Mission Identity Unearthing isn't an easy watch, and after a while, it gets plain boring. The last one hour of the film looks like a toy helicopter with a faulty remote that flies this way and that before dashing into a wall and crashing on to the ground. 

When Sidharthan and Irene start pretending to be husband and wife for sheer professional reasons, you drop your jaws in disbelief. We thought we were done with all that drama, and it props up again, making us shake our heads this way and that. At one hundred and forty minutes, 'Oru Indian Pranayakatha' is a bit too long, and the latter half in particular is a test on fortitude. Jaisalmer is too far away, and when Sishdarthan suggests that they make the journey to Rajasthan, you sigh, knowing very well that they will refuse to leave until they dance to their heart's content in the sand dunes. And woah, you are indeed right!

Perhaps in an attempt to keep up with the changing times, a highly embarassing scene is wedged into an otherwise calmingly serene Anthikkadan narrative. Irene sitting next to Sidharthan in a bus, tries to test his self control, but getting a bit too close to him. When the time arrives to alight from the bus, Sidharthan refuses to get up for very obvious reasons. Well, fantastic, but no way does it fit in here.

Fahad does succeed in making Sidharthan an endearing chap, but the writing is too shallow and does not let you get any closer to him. Amala Paul looks chic, while Shafna Nizam makes her presence felt. Innocent is around in a brief role as well. And thus it is, that 'Oru Indian Paranayakatha' adds itself to the list of imminently forgettable love yarns. And no amount of visual glitter will serve to lessen the yawns that it generates.
 
Rating:**
 

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