Picture this... The men are no less than superheroes. They speed across
freeways. Glide beneath a racing van on their mean machines. Vroom at
improbable speed on their motorbikes. Climb down skyscrapers. Perform
acrobatic feats. Escape crashes and resist bullet abrasions. From
gymnastics to gravity defying stunts to adventure sports to stretching
the laws of physics, they know it all. Hang on, there's more! They are
the master of masquerades, camouflaging their facade more rapidly than
chameleons change colors.
The men and their mean machines are back and so are huge muscles, hot wheels and loaded weapons. The fresh installment of DHOOM stretches into a novel territory this time [circus, magic], promising thrice the exhilaration. DHOOM has expanded into a money-spinning, lucrative franchise and it only gets larger in terms of scale: the budgets are getting monstrous and the star power, colossal. The question is, is it superior than the earlier installments? You may ask, the game of cops and thieves is hackneyed and trite, but do these movies with a thrill every minute even necessitate a storyline? In this case, what keeps you transfixed are the high-octane stunts, high speed chases and dazzling action sequences highlighted by an enigmatic star cast. Additionally, the anxiety and conflict between the two factions sets it apart from its predecessors. Add to it is the extravagant production design that leaves you flabbergasted. You have to give the credit to the producers [Yash Raj] for making the director's grandiose vision come alive on celluloid.
Final word? DHOOM-3 delivers *more* than what it promises. The latest installment ups the ante as mean machines blaze across the screen in a dazzling display of stunt choreography. But it's not all metallic or mechanical mayhem... this one has heart and soul too -- an invigorating and intense drama with heart rending emotions!
It would be sacrilegious to reveal the plot of DHOOM-3, since there's a suspense angle to it. But let's make it succinct. It narrates the story of Sahir [Aamir Khan], who decides to avenge the injustice meted out to his father [Jackie Shroff] and how the cop, Jai [Abhishek Bachchan], gets on his trail.
The latest chapter of DHOOM, directed by Vijay Krishna Acharya, delivers everything you anticipate from it, so there's no room to grumble, frankly. All those who have loved the previous installments -- and even the cynics too -- are sure to get swept away into the world of Sahir, Jai, Ali and Aaliya. Agree, the narrative moves in the same vein and you might find a few episodes implausible, but in terms of overall impact, it surpasses the earlier installments by leaps and bounds. You watch the proceedings with rapt attention, transfixed to the big screen, despite a run time of almost 3 hours. Clearly, the director knows what the spectator wants and he gives it to them.
The best part is, there's no bond or connection with the earlier DHOOM installments. Those who haven't watched or perhaps don't vividly recall the 2004 installment, or the subsequent one in 2006, need not worry, for the third chapter has a fresh plot and barring Jai and Ali, the focus is on Sahir and Aaliya, the newest incumbents. While the premise has ample twists and turns, the screenplay does a great job of upping the thrill quotient. Also, the narrative advances at an eloquent tempo, with the director making the spectator hold his/her breath and cheer at the same time. The motive is to offer unabashed entertainment and Vijay Krishna Acharya thrives completely in his endeavor.
A significant contribution to the DHOOM series has been by the action choreographer and the fights, thrills, chases and stunts in DHOOM-3 are pulsating and most significantly, trendily implemented. The razor-sharp editing, awe-inspiring cinematography and well designed CGI also merit an enthusiastic round of applause. Pritam's musical score captures the mood of the film well. While 'Dhoom Machaale' continues to feature in this film too, 'Malang', 'Kamli' and 'Dhoom Tap' stand out as well. The choreography of 'Malang', besides the spectacular and extravagant production design, is astounding.
Aamir transforms into a meat machine with DHOOM-3. Displaying his well-toned physique with ropey veins and performing acrobats incredibly, the actor makes you wonder, is there anything Aamir can't do? He's the life and soul of this enterprise. Abhishek holds his own especially when in face-offs with Aamir. And that, truthfully, is an immensely flattering remark for his admirable effort. Katrina looks ethereal and her acrobats will catch you unaware. Moving with incredible grace in dance numbers, she's sure to astonish the viewer with her dexterous act no end. Uday is amusing and delightful, contributing vastly to the light moments in the enterprise. Jackie Shroff is wonderful, getting his character spot on. Child artiste Siddharth Nigam is a talent to watch out for. He's superb! Andrew Bicknell as the antagonist is first-rate. Tabrett Bethell is alright.
On the whole, DHOOM-3 is one solid entertainer loaded with attitude and star power that will leave fans of the series salivating for more. It is miles ahead of its predecessors in the DHOOM series. This will shatter previous records and set new ones. SURE-SHOT BLOCKBUSTER.
Rating:****1/2
http://www.bollywoodhungama.com/moviemicro/criticreview/id/542148
The men and their mean machines are back and so are huge muscles, hot wheels and loaded weapons. The fresh installment of DHOOM stretches into a novel territory this time [circus, magic], promising thrice the exhilaration. DHOOM has expanded into a money-spinning, lucrative franchise and it only gets larger in terms of scale: the budgets are getting monstrous and the star power, colossal. The question is, is it superior than the earlier installments? You may ask, the game of cops and thieves is hackneyed and trite, but do these movies with a thrill every minute even necessitate a storyline? In this case, what keeps you transfixed are the high-octane stunts, high speed chases and dazzling action sequences highlighted by an enigmatic star cast. Additionally, the anxiety and conflict between the two factions sets it apart from its predecessors. Add to it is the extravagant production design that leaves you flabbergasted. You have to give the credit to the producers [Yash Raj] for making the director's grandiose vision come alive on celluloid.
Final word? DHOOM-3 delivers *more* than what it promises. The latest installment ups the ante as mean machines blaze across the screen in a dazzling display of stunt choreography. But it's not all metallic or mechanical mayhem... this one has heart and soul too -- an invigorating and intense drama with heart rending emotions!
It would be sacrilegious to reveal the plot of DHOOM-3, since there's a suspense angle to it. But let's make it succinct. It narrates the story of Sahir [Aamir Khan], who decides to avenge the injustice meted out to his father [Jackie Shroff] and how the cop, Jai [Abhishek Bachchan], gets on his trail.
The latest chapter of DHOOM, directed by Vijay Krishna Acharya, delivers everything you anticipate from it, so there's no room to grumble, frankly. All those who have loved the previous installments -- and even the cynics too -- are sure to get swept away into the world of Sahir, Jai, Ali and Aaliya. Agree, the narrative moves in the same vein and you might find a few episodes implausible, but in terms of overall impact, it surpasses the earlier installments by leaps and bounds. You watch the proceedings with rapt attention, transfixed to the big screen, despite a run time of almost 3 hours. Clearly, the director knows what the spectator wants and he gives it to them.
The best part is, there's no bond or connection with the earlier DHOOM installments. Those who haven't watched or perhaps don't vividly recall the 2004 installment, or the subsequent one in 2006, need not worry, for the third chapter has a fresh plot and barring Jai and Ali, the focus is on Sahir and Aaliya, the newest incumbents. While the premise has ample twists and turns, the screenplay does a great job of upping the thrill quotient. Also, the narrative advances at an eloquent tempo, with the director making the spectator hold his/her breath and cheer at the same time. The motive is to offer unabashed entertainment and Vijay Krishna Acharya thrives completely in his endeavor.
A significant contribution to the DHOOM series has been by the action choreographer and the fights, thrills, chases and stunts in DHOOM-3 are pulsating and most significantly, trendily implemented. The razor-sharp editing, awe-inspiring cinematography and well designed CGI also merit an enthusiastic round of applause. Pritam's musical score captures the mood of the film well. While 'Dhoom Machaale' continues to feature in this film too, 'Malang', 'Kamli' and 'Dhoom Tap' stand out as well. The choreography of 'Malang', besides the spectacular and extravagant production design, is astounding.
Aamir transforms into a meat machine with DHOOM-3. Displaying his well-toned physique with ropey veins and performing acrobats incredibly, the actor makes you wonder, is there anything Aamir can't do? He's the life and soul of this enterprise. Abhishek holds his own especially when in face-offs with Aamir. And that, truthfully, is an immensely flattering remark for his admirable effort. Katrina looks ethereal and her acrobats will catch you unaware. Moving with incredible grace in dance numbers, she's sure to astonish the viewer with her dexterous act no end. Uday is amusing and delightful, contributing vastly to the light moments in the enterprise. Jackie Shroff is wonderful, getting his character spot on. Child artiste Siddharth Nigam is a talent to watch out for. He's superb! Andrew Bicknell as the antagonist is first-rate. Tabrett Bethell is alright.
On the whole, DHOOM-3 is one solid entertainer loaded with attitude and star power that will leave fans of the series salivating for more. It is miles ahead of its predecessors in the DHOOM series. This will shatter previous records and set new ones. SURE-SHOT BLOCKBUSTER.
Rating:****1/2
http://www.bollywoodhungama.com/moviemicro/criticreview/id/542148
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